The Temple of Literature — known locally as Van Mieu — sits just south of the Imperial Citadel in Hanoi's Ba Dinh District. Hanoi appears on the back of the 100,000 Vietnamese dong banknote, a sign of its enduring cultural weight. Founded in 1070 by Emperor Ly Thanh Tong, it functioned as Vietnam (베트남 / 越南 / ベトナム)'s first national university, the Imperial Academy (Quoc Tu Giam), educating the nation's bureaucratic and noble elite until 1779.
A Temple Built for Confucius
The complex was dedicated to Confucius, his principal disciples (Yan Hui, Zengzi, Zisi, and Mencius), and 72 other Confucian scholars. Ceremonies marked the seasons; crown princes studied in its courtyards. The architecture mirrors the layout of Confucius's birthplace temple in Qufu, Shandong, lending the Hanoi site a direct lineage to classical Chinese scholarship.
In 1802, when the Nguyen Dynasty relocated its capital to Hue and established a new imperial academy there, the Hanoi temple gradually lost prominence. It became a school for Hoai Duc District. During the 1945–1954 period, French forces demolished parts of the complex to expand Saint Paul Hospital during wartime. Restoration came in 1920 and 1947 via the Ecole francaise d'Extreme-Orient, and again in 2000. The site was registered as a Monument historique in 1906.
Before Tet (Vietnamese New Year), calligraphers gather outside the temple gates to write wishes in classical Chinese script — gifts given to friends or hung at home for the year ahead.
The Layout: Five Courtyards
The complex spans 54,000 square meters, enclosed by brick walls. The entrance features four tall pillars and two stelae instructing horsemen to dismount — a reminder of the site's political gravity. The main gate opens onto three pathways: the central reserved for the emperor (marked by a large bronze bell), the left for administrative mandarins, and the right for military mandarins.
Inside, five courtyards unfold in sequence, each with distinct purposes and character. The first two are tranquil study spaces, with ancient trees and manicured lawns. The first extends from the Great Portico to the Dai Trung gate, flanked by smaller Dat Tai and Thanh Duc gates. Topiary shaped like the 12 zodiac animals dot the landscape — a playful touch amid centuries-old stone.
Image by Daderot via Wikimedia Commons (CC BY-SA)
The Khue Van Pavilion
The second courtyard hosts the Khue Van Pavilion (also written Khue Van Pavilion), built in 1805 and now an icon of modern Hanoi's skyline. It sits on four whitewashed stone stilts with a red roof and two circular windows — an elegant balance of weight and lightness. A bronze bell inside is rung on auspicious occasions. Poetic inscriptions celebrate Vietnamese classical culture. Flanking the pavilion are the Suc Van and Bi Van gates, both dedicated to the refinement of literature.
Doctor's Stone Tablets: 1307 Names Carved in Stone
Through the Khue Van Pavilion lies the third courtyard and its centerpiece: the Doctor's stone tablets. Starting in 1484, Emperor Le Thanh Tong commissioned 116 stelae carved from blue stone, each resting on an elaborate turtle motif. The turtle (Quy) is one of Vietnam's four sacred creatures, symbolizing longevity and wisdom. These 82 remaining tablets record the names and birthplaces of 1,307 graduates from 82 triennial royal exams held between 1442 and 1779.
The carvings on each stele follow classical Chinese conventions: praise for the reigning monarch, explanation of the exam's purpose, and names of the mandarins who organized it. They are invaluable archives of Vietnamese education, culture, and stone-carving craft. Visitors once rubbed the turtles' heads for luck; today a protective fence preserves them. In 2011, UNESCO added the stelae to its Memory of the World Register.
The third courtyard also features the Thien Quang well, flanked by two large halls that once housed the temple's treasures and manuscripts.
Image by Syced via Wikimedia Commons (CC BY-SA)
The Ceremonial Heart
The fourth courtyard is the temple's ritual center, accessed via the Dai Thanh gate (flanked by Kim Thanh and Ngoc Chan gates). Two side halls once held altars to Confucius's 72 honored disciples and Chu Van An, a celebrated Imperial Academy rector. The central altars honor Confucius and his disciples — a physical reminder that this place remains a site of veneration, not merely a museum.
A fifth courtyard, less frequently visited, completes the complex. Throughout, stone carvings, inscriptions, and architectural details reward close attention: each element carries layers of meaning tied to Confucian values, Vietnamese history, and imperial patronage.
Visiting Today
The Temple of Literature is open daily and draws a steady stream of Vietnamese schoolchildren, historians, and travelers seeking quiet reflection away from Hanoi's chaotic streets. The site's combination of serene courtyards, historical significance, and architectural beauty makes it one of the capital's most rewarding destinations. Allow 1.5 to 2 hours for a leisurely walk, or longer if you want to read the tablet inscriptions and decipher the temple's symbolic language.
Frequently Asked Questions
How old is the Temple of Literature and what was it originally used for?
Founded in 1070 by Emperor Ly Thanh Tong, the Temple of Literature is over 950 years old. Originally dedicated to Confucius and his disciples, it functioned as Vietnam's first national university — the Imperial Academy (Quoc Tu Giam) — training the country's bureaucratic and noble elite. It continued this role until 1779, when the Nguyen Dynasty relocated the capital to Hue and established a new imperial academy there.
What are the Doctor's stone tablets inside the Temple of Literature?
The Doctor's stone tablets are 82 remaining stelae (from an original 116) commissioned in 1484 by Emperor Le Thanh Tong. Carved from blue stone and each resting on a turtle motif — the turtle being one of Vietnam's four sacred creatures, symbolizing longevity and wisdom — they record the names and birthplaces of 1,307 graduates from 82 triennial royal exams. They sit in the third courtyard, past the Khue Van Pavilion.
When is the best time to visit for a culturally distinctive experience?
Visit before Tet, the Vietnamese Lunar New Year, when calligraphers gather outside the temple gates to write wishes in classical Chinese script — pieces given as gifts or hung at home for the year ahead. The 54,000-square-meter complex is open year-round, but this seasonal tradition adds a layer of living cultural practice rarely seen at other historical sites in Hanoi's Ba Dinh District.
Last updated · May 19, 2026 · independently researched, never sponsored.
